Celldweller’s newest release Offworld may potentially express just as much about Klayton as a person right now as it does about his seemingly unwavering musical talents. While it shows a departure from his usual blend of aggressive metal guitars and blasting beats, a shift which some hardcore fans might find a bit off or even mildly distressing, it also exhibits a broader melancholic attitude towards our beloved planet Earth which could easily be interpreted as borderline misanthropy. But is there anything truly ‘off’ about this perspective, or is Offworld simply a sign of our current times?
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