When I finished Martin Scorsese’s 3-hour long Netflix mob-flick The Irishman, I felt unfulfilled. I asked my father what he’d … More
Tag: film feature
Back from the Dead: CGI and Hollywood’s Copyright Problem
You would think that legally, we own the right to our bodies. Not in the physical sense of owning our bodies, but the right to … More
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Disney’s Live-Action Remakes: A Loss of Creativity?
From The Lion King to Aladdin, many beloved Disney films are being given the chance to come to life in … More
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The End of the Summer Blockbusters
The summer blockbuster as we know it has been a staple of cinema since the ’70s, and big film releases … More
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Wes Anderson: In a world of his own
Naomi Gessesse examines the delights and detriments of Wes Anderson’s unique cinematic style. Born in Houston, Texas in 1969, Wes … More
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Accessible Cinema for All
Katie Fannin discusses the importance of inclusive cinema experiences in Glasgow and beyond.
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Cinemaster feature: Paul Thomas Anderson
Žad Novak examines the thematic complexity of Paul Thomas Anderson’s There Will Be Blood -in association with the Glasgow Film … More
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Glasgow Film Festival: qmunicate’s Top Picks
qmunicate gives a rundown of a few of our most anticipated events from the upcoming Glasgow Film Festival. This year’s … More
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Violence and Absurdity and Dingbats
Tasha Baldassarre writes on the lasting impact and continuing relevance of the Coen Brothers’ varied and unique filmography. The Coen … More
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Romanticising the Empire
Louise Wylie examines British media’s nostalgic portrayal of its colonial past
