The Female Director Problem

When I finished Martin Scorsese’s 3-hour long Netflix mob-flick The Irishman, I felt unfulfilled. I asked my father what he’d … More

Back from the Dead: CGI and Hollywood’s Copyright Problem

You would think that legally, we own the right to our bodies. Not in the physical sense of owning our bodies, but the right to … More

From The Lion King to Aladdin, many beloved Disney films are being given the chance to come to life in … More

The summer blockbuster as we know it has been a staple of cinema since the ’70s, and big film releases … More

Naomi Gessesse examines the delights and detriments of Wes Anderson’s unique cinematic style. Born in Houston, Texas in 1969, Wes … More

Katie Fannin discusses the importance of inclusive cinema experiences in Glasgow and beyond.

Žad Novak examines the thematic complexity of Paul Thomas Anderson’s There Will Be Blood -in association with the Glasgow Film … More

qmunicate gives a rundown of a few of our most anticipated events from the upcoming Glasgow Film Festival. This year’s … More

Tasha Baldassarre writes on the lasting impact and continuing relevance of the Coen Brothers’ varied and unique filmography. The Coen … More

Louise Wylie examines British media’s nostalgic portrayal of its colonial past